We even had some wonderful snow in the past days that put me in a wintry mood but it's melting away today.
A few days ago I made some simple paper snowflakes and hung them on my wall. These should stay a bit longer.
We even had some wonderful snow in the past days that put me in a wintry mood but it's melting away today.
A few days ago I made some simple paper snowflakes and hung them on my wall. These should stay a bit longer.

The glaze is a thin layer of white that makes them look almost edible.
On the inside I tested new glass, that actually is rather old. My potter found it when she was tidying up some shelves. It's a big jar full of finely grained yellow glass, that someone gave her many years ago and that she never used. It was waiting for me, I like to think!
As yellows are prone to burn away during firing I expected a big mess but I was surprised by some unexpected effects. It must have some really good flux in it, it melted so well and with only a few cracks and no burning. This stuff is of high quality! The dish now looks like it's filled with honey.
On the outside I tried some glaze carving. I have seen amazing results of this technique at pottery fairs and had to try if it works with the white glaze we use. The pattern held its shape perfectly. I see many possibilities ahead!
I have so many sweet peppers, I can't eat them quick enough before they redden. I prefer them green but my parents are very happy with the red ones.
Here are some autumnal findings of a short morning stroll. I love the beechnuts! They are so tasty and cracking them makes me feel like a squirrel.
It's getting harder to find suitable leaves and grasses as summer fades and they dry and wither. Also in many places these beauties are mowed down. (It's such a sad sight.) Apart from the pot and buttons in the photo above I also made another wall panel I'll show at a later stage. I couldn't take a proper picture of it.
This sponge vessel is another thing I made. I nicked the idea from bptakoma on Flickr and just had to give it a try! It takes some time and patience (and for me some pain in the wrists) to cover a pinch pot with a surface like this.
I would love to try this again and I watch videos like this of Whitney Smith and that of Kim Westad sharing their process of making pottery with a mix of envy and deep admiration because I know it's out of reach for me to ever get this good but it is such a wonderful craft!
Summer break is over and I can hope to get my crafting done more regularly now. I saw some familiar faces again and even some new. One of my clay mates commented on my pieces that I already have a signature style like a professional potter, a remark that makes me blush. It's boosting my ego! I like to try new things and techniques all the time, so I'm glad it is visible in some way that all these things are made by me.
As you can see in the pictures I painted my meadow with oxides as well as the vetch in the photo above. It originally belonged to a bigger botanical piece that I messed up when my knife fell right in the middle of it. This was the only part I could manage to keep.
I also proceded work on my dishes and try to fire them a third time with some glass although I have my doubts that this will work out as intended. Working with glass is always surprising and maybe it won't be that unpleasant.
I stamped a pattern, mostly with my own handmade stamps, and filled the indentations with contrasting slip. When the piece was leather-hard I scraped off the excess slip to reveal the pattern. This was quite labour intensive and by far the hardest part of the process. The smallest indentations I had made didn't fill completely with slip so there are only little holes left now. On one of the petals you can see that I went a little to far (or didn't stamp deeply enough) and reached the dark part. Despite the flaws I'm going to fire this little experiment. I want to see the finished result.
The photo shows it before I peeled them off of the clay to reveal the imprints. I love the look of this with the lovely greens and shapes against the grey background. I wish I knew a way to preserve it just like this.
I sanded and buffed my rolling pin and my other wooden tools and finished them with linseed oil (which smells heavenly). They are super-smooth now. I want to touch them all the time. It was such a satisfying and calming thing to do! I even wished I had more raw wooden stuff at home that I could sand and cover with oil!
This is a wall piece. I formed a loop for easy hanging but it filled with glaze on one side, so I must find another way to put it on the wall.
Some days ago I was at the pottery studio and due to the tiring hot weather got nothing else done than adding some newly purchased colours of glass to a textured plate which should be fired a third time.
I tried out pastel pink, purple, and green, and a dark pink for the first time along with some blues I tested earlier and which melt to very nice shades of bright blue. Pinks and reds are delicate glass colours that easily burn. I hope they don't. That's the excitement of working with glass.